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Metaphors be with you – the rise of spoken word in Ipswich

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An overview of the local poetry and spoken word scene and how it has grown into a thriving, self-sustaining creative community that develops talented writers and performers.

You’d be forgiven for missing the rise in popularity of poetry and spoken word in Ipswich because it's been happening slowly, quietly, and in non-traditional spaces. A community-driven grassroots movement, spoken word events are largely run by passionate experts who are themselves writers and performers.

Regular spoken word events

In Ipswich, we are lucky to have three regular, monthly spoken word events: Words & Verses, Storytelling with Bards Aloud, and Word Herd. Plus, there are infrequent poetry groups from Suffolk Poetry Society and, most recently, a poetry reading at Ipswich Library featuring five emerging young writers from across the region.

Poets reading at Ipswich Library
Poets reading at Ipswich LibraryAmy WraggAmy Wragg

Words & Verses

The first regular spoken word event to be established in Ipswich was Words & Verses, in 2012 – a free-entry show on the first Tuesday of the month at The Spread Eagle. It runs as an open mic, offering anyone who turns up and writes their name down five minutes to speak on the microphone.

Welcoming both original writing and covers, it is a radically inclusive platform for artists at all stages of development to hone their craft in front of a friendly audience. It has become so popular that, in only three hours, on average, 18 poets take the mic at each event.

Poet performing at Words & Verses, at The Spread Eagle
Poet performing at Words & Verses, at The Spread EagleAmy WraggAmy Wragg

Storytelling with Bards Aloud

Storytelling with Bards Aloud started up shortly after W&V, quickly cementing itself as a much-beloved addition to the cultural diary.

Held monthly on the third Tuesday of the month in the back room of The Dove, Bards Aloud prides itself on making people feel at home. Taking a more relaxed approach, they have some guest performers alongside open mic participants. All of them perform a cappella without the aid of any tech, which can feel like an easier first step for many writers sharing their work for the first time.

Storyteller Gerry Donlon performing at The Dove
Storyteller Gerry Donlon performing at The DoveAmy WraggAmy Wragg

Word Herd

Last week, we saw the launch of ‘Word Herd’ at CHIp Art Studio on Turret Lane, a paid entry event featuring three astonishingly talented poets, all from Ipswich: Morgan, David Mustill, and Jacke Montague. Run by the new non-profit SoapBox Spoken Word CIC, this event has been launched to offer talented poets a chance to develop a longer set.

Ranging from 15 mins up to a full 45 minutes, Word Herd runs on a ticket-split basis, ensuring the poets are paid for their work and that SoapBox can continue to deliver free creative events for the local community.

Jackie Montague, poet, performing at Word Herd, CHIp Studio
Jackie Montague performing at Word Herd, CHIp StudioAmy WraggAmy Wragg

Developing local artists

How we keep talent from leaving Ipswich is often discussed, but money is rarely broached. Musicians, poets, and artists always seem to be the first to be asked to work for free when a community event is planned—even when entry is charged and it is run by a commercial entity.

And yes, of course, volunteering is a beautiful thing (that not so many can afford to do these days). However, if we want to continue to develop Ipswich’s reputation and stop the brain drain, we need to value our local poets, musicians and artists with cold hard cash.

The launch of Word Herd proved that we are happy to pay an entry fee when it is being used to develop our creative people and communities. Nearly 40 people turned up on a Tuesday night to enjoy a night of original, live and local words – from 3 Ipswich poets – in an art studio that was once a warehouse. Surely a first.

This level of support is a testament to the vibrancy of the creative and cultural communities in Ipswich. It also reflects how a handful of hard-working, committed and knowledgeable artists can – through sheer persistence – create a thriving scene.

All of these events were started by people who couldn’t find the kind of gig they wanted to attend locally, so they started their own. Imagine if we all did this.

Next time you're looking for a specific event to attend locally and are dismayed to find out it doesn't exist, make it yourself. I dare you. I double dare you.

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An award-winning local law firm

Rated as "Excellent" on Review Solicitors with an impressive 4.8/5 on Feefo.

Attwells staff outside their Ipswich office

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'Pure joy to my ears': The Tubs finally arrive at The Smokehouse

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After years of trying to book them, The Smokehouse welcomed The Tubs to a sold-out crowd, delivering what Brighten the Corners CEO Joe Bailey described as "tight, indie jangle-pop" that lived up to every expectation.

Last Wednesday, Echobelly took over The Baths venue in a sold-out show in Ipswich. Led by charismatic vocalist Sonya Madan and guitarist Glenn Johansson, the band played to a fully packed venue that buzzed with nostalgia and excitement, capturing the magic that made them a staple of the 90s Britpop era.

Echobelly rose to fame after Morrissey handpicked them to open for his 1994 tour, earning several Top 40 hits and racking up gold and platinum albums. 

After a five-year break, their 2009 reunion reignited that spark, and they’ve been drawing loyal crowds ever since. 

There was a definite focus on their first two albums, Everyone’s Got One and On.

The performance of Dark Therapy was a standout for me. With Madan’s urging lyricism and Johansson’s pulsing guitar strings, the song built into an atmospheric swell, eventually giving way to a haunting cascade of riffs and a three-song encore that left their crowd in awe.

Watching them perform felt like stepping back into the heart of the Britpop era. The band’s connection with the audience was undeniable. With so many Britpop reunions on the rise, Echobelly’s show was a standout—a glorious reminder of why they deserved their place in the spotlight.

The Tubs playing at The Smokehouse in Ipswich
The Tubs playing at The Smokehouse in IpswichCaitlin WhittakerBrighten the Corners

Friday night saw The Tubs, an indie/ alt rock group, play The Smokehouse with support from Eves Delight, who provided a soft and dreamy start to the night, preluding the darker, more frenetic energy that would soon follow. Eve’s Delight’s ethereal vocals and hazy guitar layers created a whimsical atmosphere that enveloped the room. 

In a recent interview with The Guardian, Frontman Owen Williams revealed that “most of the songs were written in the midst of a breakdown” following the end of a long-term relationship. That emotional rawness was palpable throughout the set. The tubs may sound melodically crisp, yet beneath the surface lies a turbulent undercurrent revealed upon analysis of William’s lyrics. Brutal lyricism, manic harmonies, and Williams’ unhinged vocals formed a tension between the polished riffs, masking the chaos of mental health struggles beneath deceptive melodies.

Williams also explained in the same interview that the suicide of his mother has influenced his songwriting and formed an explanation for a large part of his breakdown. It was my first time seeing or hearing The Tubs, going into this gig with no preexisting knowledge of their sounds left me unprepared for the emotionally charged intensity of their performance.

Round the Bend stood out as a key example of Williams’ struggle. Its lyrics such as “here I go/ another manic episode” grapple with narcissism, existential dread, and the compulsive distractions of OCD. 

The Tubs’ performance was a powerful exploration of personal turmoil, masterfully disguised with infectious rhythms that their audience were rocking to until set end.

After speaking to Joe Bailey, a long-term fan of the Tubs and head honcho of Brighten the Corners, he remarked, "one of the best things about running music venues is when you're able to put on artists you love or are really excited about”. The Smokehouse has been trying to get The Tubs since the release of their debut album Dead Meat in 2023.

Joe continued, “Finally, the stars aligned to bring them to Ipswich to the sold-out Smokehouse. They played a great set of tight, indie jangle-pop, with each song becoming more of an earworm than the previous one. To hear Sniveller, Two Person Love alongside new classics such as Freak Mode and Chain Reaction was pure joy to my ears. We look forward to bringing them back to Ipswich again”.

Brighten the Corners

Brighten the Corners runs a diverse live music programme, training and education opportunities across three venues, and an annual multi-venue festival in Ipswich, Suffolk.

A gig at St Stephen's Church
Attwells staff outside their Ipswich office

An award-winning local law firm

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